Guillem Dalmau, Doctorant en histoire de l’art moderne, sous la direction de Julien Lugand (UPVD) et Francesc Miralpeix (UdG) UMR 5136 FRAMESPA – Université de Perpignan Via Domitia (UPVD) About the silver of Saint-Michel de Cuxa The silver of the Benedictine abbey of Saint-Michel de Cuixà is known by some inventories from the second half of…
Joël Chandelier, Université de Paris VIII How were medicine and physicians represented in the Romanesque period? How were they described within society? What stock of symbols, what markers were used to identify and qualify the practitioners of this venerable and useful art? Using images and objects, but also certain preserved texts, we will try to characterize the perception of…
Emmanuelle Vagnon, CNRS (LAMOP), Université Paris Panthéon-Sorbonne Mappae mundi, which are representations of the entire known world in Western Europe in the Middle Ages, display a geographical image based on certain scientific principles inherited from Antiquity, while depicting the history of the world and of humanity since its origins. These images of the medieval world…
Martine Jullian, Université de Grenoble The cathedral of Aosta in Piedmont has a mosaic pavement, situated in the manner of a carpet in front of the main altar. In the centre, a personification of the Year appears first, surrounded by a circular ring in which the twelve months are represented, symbolised by the characteristic human…
Stavros Lazaris, CNRS Through the examination of figures from certain Byzantine scientific treatises, this paper will analyse their contribution to the deployment and diffusion of scientific knowledge. It will also discuss the ways in which these figures were developed (page layouts, iconography, etc.) to become real didactic and mnemonic tools in order to transmit knowledge in a different way……
Laurence Moulinier, Université Lumière Lyon 2 The question of the book culture of the Rhenish Benedictine Hildegard of Bingen (1098-1179) was brilliantly raised in the 1930s by Hans Liebeschutz in his work Das allegorische Weltbild der heiligen Hildegard von Bingen, and was subsequently constantly taken up without being completely trench. However, it is now clear that Hildegard did…
Nathalie Bouloux, Université de Tours-CESR How and by what means was the world wiewed in the 11th-12th centuries? The aim of this presentation will be threefold. On the one hand, to describe the ways in which the scholars of the 11th and 12th centuries represented the world, conceived the place of the Earth in the cosmos and…
Isabelle Marchesin, Institut national d’Histoire de l’Art Scientific knowledge and technology: the influence of knowledge on the development of Christian visual discourses in Romanesque art. The conference will offer an overview of the scientific and technical knowledge with which medieval men and women represented the functioning of their world. It will show, on the basis of…
Charlotte Denoël, Bibliothèque nationale de France. Based on the physico-chemical analyses carried out on the Beatus de Saint-Sever (Paris, BnF latin 8878) by the Centre de recherche et de restauration des musées de France and the Centre de recherche sur la conservation du Muséum national d’histoire naturelle with the Fondation des Sciences du Patrimoine, this paper will…
Cécile Treffort, Université de Poitiers (CESCM), Institut universitaire de France In the old Romanesque cathedral of Périgueux (Saint-Étienne-de-la-Cité), a “Paschal table” can be seen on the south wall of the choir, a list of 91 consecutive dates of Easter preceded by a short heading: “This is the date of Easter without term or number. When…
